March 2021 College News

1 Ana Baer’s screendance Tule (a collaboration with Heike Salzer, and Richard D. Hall) 2 Ana Baer’s screendance La Sabina featured in her recent lecture “Encuentros y Duplicidades Trans-generacionales en la obra La Sabina” 3 Kaysie Seitz Brown’s dance company, CIM TEYA rehearsing for the interactive dance production, LiveSTREAM in Motion 8 | March | College News DANCE Dance Studies, Per formance & Choreography, Single Teaching Certif ication, & Dual Teaching Certif ications FACULTY ACCOLADES Ana’s screendance Tule (a collaboration with Heike Salzer, and Richard D. Hall ) was selected by KINAM International Film Festival for multiple screenings at Pulque Cinema, Insurgentes; Cine Lindo: Centro Cultural Universitario Tlatelolco, Mexico City. [ 1 ] Her sceendance Being Together (a collaboration with Bodyshift, Merge Dance Company and Richard D. Hall ) screened at the Petit Plan Festival-Americana at an online geoblocked screening in Greece. Ana taught a screendance masterclass at TAPS Department of Teatre and Performing Studies, at Stanford University. Additionally, she was invited to present the Lecture “Encuentros y Duplicidades Trans-generacionales en la obra La Sabina” with Dr. Rocio Luna at the Primer Coloquio Iberoamericano “Transdisciplina, Creatividad y Neuro-artes Escenicas” presented by Universidad Autonoma de Queretaro. [ 2 ] Kaysie Seitz Brown facilitated an AISD Professional Development Creative Teaching Workshop via Zoom in February, which ofered movement components of Creative Learning Initiative (CLI) strategies in collaboration with MINDPOP an Austin based non- proft consultancy that designs and implements creative learning systems nationwide. Christa Oliver is featured in the Madhuriya Art House flm Te Resilient Artist . Te flm will be part of Madhuriya's two-day online dance festival hosted by Te Indian High Commission cultural wing in London. On March 1st & 2nd, in collaboration with Scott Vandenburg , Kaysie Seitz Brown’s dance company, CIM TEYA presented the interactive dance production for young audiences, LiveSTREAM in Motion . [ 3] Viewers were given the opportunity to view this live stream performance from classrooms and homes throughout Texas and as far away as Trinidad & Tobago in collaboration with COCO in the Community. Tis production included the screendance, Holding Pattern , choreographed by Michelle Nance in collaboration with the dancers, cinematography and editing by Ana Baer , original music composition by Richard Hall , and costumes by Texas State Dance alumnus, Lindsey Gerson . Other works in the production included Anyone Can Dance Zoom Edition , directed by Kaysie and edited by Texas State Dance alumnus Tate Navarro . Kaysie and the CIM TEYA dancers also premiered a new interactive piece titled, Enginography 2.0 with music by Richard Hall . Repertoire included Flocking and the step inspired piece, Symmetry/ Asymmetry . Ana Baer (pictured) and Heike Salzer co-authored the article: "Framing and e-framing screendance: A site specifc practice." Tis article was published in the book Analysis and Evolution of Videodance by the Editorial Universidad Politécnica de Valencia, Spain. Te article refects on the production of the work Wild-er-ness , (a collaboration with Heike Salzer, Michelle Nance , Richard D. Hall and Robert Burton). WILD - ER - NESS College of Fine Arts and Communication | 9