March 2022 College News

1 Jefrey Dell’s solo exhibition, Terraplane 2 Art History Association students on a feld trip to the Blanton Museum of Art 3 Work from Soomin Remmler’s solo exhibition, When You Call My Name Quietly 2 | March | College News ART AND DESIGN Art , Art Education, Art Histor y, Communication Design, Photography, & Studio Art FACULTY ACCOLADES Andrew Chen gave a paper entitled “Hosting the Ship of Salvation in India and East Asia, ca. 1600” at the hybrid session Home and Hospitality as part of the 35th World Congress in São Paulo, Brazil, organized by CIHA (the Comité International d’Histoire de l’Art). Jennifer Ling Datchuk gave a virtual visiting artist lecture to Hartford Art School in Hartford, CT. Jefrey Dell’s solo exhibition, Terraplane , opened at David Shelton Gallery on February 19. It’s up until April 9. [1] Shannon Faseler has been invited to speak at the Global Issues Speaker Series Summit in Austin on March 4. Her topic is "Aesthetics and the Anthropocene." Joey Fauerso's two-person show with Gyan Shrosbree Let Me Hear Your Body Talk opened at the Wrong Gallery in Marfa, TX, and will be up through May 15th. Joey's work is currently on view as part of the exhibition State of the Art 2020: Locate at the Jacksonville Museum of Contemporary Art. Tis traveling exhibition was organized by the Crystal Bridges Museum of American Art. Laritza Janiga Garcia is on the jury panel for Voltage: Te Power of Contemporary Jewelry , an in- person, on-line and print exhibition in Metalsmith magazine for Society of North American Goldsmiths. Laritza has work in the exhibition Craft in the Laboratory: Te Science of Making Tings , Mint Museum Uptown, Charlotte, February 12 ongoing. She also has work in the exhibition RAM Showcase: Abstraction , Racine Art Museum, now through June 11. Her work is featured in Te Journal Times: 'RAM Showcase: Abstraction' . It is featuring work by contemporary artists of color. On February 12, Estéban Hinojosa led students from his Introduction to Fine Arts classes on a feld trip to the San Antonio Museum of Art to discuss Egyptian, Greek and Roman Art. On February 19, he led students from the Texas State Art History Association on a feld trip to the Blanton Museum of Art to discuss Renaissance and Early Modern Painting. [2] Kathleen McShane-Bolton’s Slow Work , a two-person show with photographer Ellen Bahr is showing at Cité des Artes Paris, France March-April, and a collaborative residency March 10 - 18th at Cité des Artes, Paris. Soomin Remmler’s work is currently showing at McNay Art Museum in San Antonio as part of Drawn in San Antonio exhibition that runs February 2 - September 11. Soomin’s work When You Tink of Me is a featured cover image for a group show at McNay and published in their quarterly magazine. She also has a solo show When You Call My Name Quietly that runs March 26 – May 1 at grayDUCK gallery in Austin. [3] Molly Sherman will be presenting her work at multiple formats: Contemporary Art Book Symposium, Boston University, School of Visual Arts, February 24 - 26. She will be on a panel discussion on Friday, February 25 called Limitations, Distribution, and Engagement. Rand Renfrow and Jefrey Dell had an exhibition, Tree Ways of Knowing the Same Ting , at the Georgetown Arts Center on January 15 - February 12. SCHOOL ACCOLADES Te Art of Bill Hutson at Texas State Galleries (still on view from September 14, 2021 – May 17, 2022) has been featured in: Linda Kelsey Jones', "Te Art of Bill Hutson: Te Homecoming of A Native San Marcos Artist," San Marcos Record (January 16, 2022); "Te Art of Bill Hutson: Homestead featured at Texas State Galleries," San Marcos Record (January 23, 2022); "Te Line-up: Nine exhibitions to see in February," Sightlines (February 1, 2022); Caroline Frost, "Te Art of Bill Hutson, a Citywide Exhibition in San Marcos," Glasstire (February 6, 2022); and Brynn Sumers, "City-wide exhibit celebrates artwork of San Marcos native Bill Hutson," University Star (February 15, 2022). BABE CAVE Jennifer Ling Datchuk's blue and white porcelain and synthetic hair installation "Babe Cave" was acquired by the Los Angeles County Museum of Art (LACMA) for their permanent Chinese Art collection. "Babe Cave" (2019) is a ten-foot tall enclosure of hanging blue fake hair, ornamented with round porcelain beads and secured with cords and white cheerleader pompoms. Visitors are encouraged to enter the space where plastic hair clips pull back the foating curtain. Inside sits a low porcelain table along with four stools made in Jingdezhen, China (porcelain’s birthplace nearly 2000 years ago). Te interior table and seating is called "How I came to my table" (2019). College of Fine Arts and Communication | 3